Time for what? Whatever. Riding the ridiculous bike I inherited from Jamie (don't believe every well-meaning adage you hear; I remembered how to ride, but I did not remember how to stop. I have the bruises and scratches to prove it)... Craft projects for the sake of them (Golden Girls. In glitter. Full color. You better believe it)... Rereading The Stand (and by "rereading," I mean "getting to the end of the book and, in the same breath, starting over on page 1)... Sleeping in (mission: accomplished on that one, courtesy of some pernicious insomnia that's been screwing with my sleep cycle).
I miss Jamie, I miss him terribly. I did the easy, full-on, burst-into-tears grief at the beginning, like everyone else; I say easy, because that's when it's expected, and that's when everyone's there with a comforting pat on the back or big bear hug. The other, more difficult grieving comes now. The deeper sound of my soul saying "Son of a bitch!" when I realize that my best friend is gone forever, if you don't count the tiny vial of him I mixed with glitter and have sitting on a bedroom shelf (I don't, because the chances of that vial pronouncing Andrew Zimmern's name wrong are slim-to-none - we argued about that, the day he died [Jamie and I did, not the vial and I]; "How do you not hear what people are saying?" I whined. Jamie harrumphed).
This was to be the summer where I sat down and made an effort; where I wrote down what Jamie meant to me, the good memories and the bad that made up our friendship. This was the Jamie Summer, to go with all the other momentous summers of my life: Bingo Summer, Swimming Summer, Ear Zit Summer. Jamie never understood naming summers; I couldn't properly explain to him how the name of each summer conjured up stockpiles of memories, from Michael Jackson's Thriller on a little mono tape player, to Pink Swimmingo Kool-Aid and string-cheese pizza and Diver Boy, to Kleenex and Q-tips as tools and one important death followed by an equally important birth.
I was going to keep a diary of my daily goings-on, and in a highly creative and excruciatingly literary way, relate them to my dead best friend. But "Slept till 11 and watched The Price is Right while eating leftover pasta con broccoli" is hardly New York Times bestseller fodder, at least not the way I write it. Yes, Jamie never accepted Drew Carey as his TPIR host, and yes, the PCB came from Jamie's favorite restaurant, where he once made me cry and where, on a separate occasion, I made an off-hand, horrifying, entirely accidental racist remark (then said, in the same tone and volume for anyone who may have been listening, "I voted for Barack Obama!"). Jamie's unwavering allegiance to Bob Barker was mildly fanatical, sure; but I couldn't reach when relating him to my everyday life. That's gotta come naturally. I spent my life forcing Jamie to do shit that was good for him; I'm not going to force him now that he's dead.
So, it happens a little at a time. When I'm lying under the bike, bleeding from the elbow and cursing him for buying such a ridiculous thing. When I'm going through old emails from right after he died, reliving the rush of emotion that accompanied those days. When telling a funny story about him and having to endure the softened eyes, the sad mouths of people feeling sorry for me. Because right now they're not funny stories, they're sad stories, at least for everyone else. For me, funny and sad always came together as a package deal with Jamie, so I'm used to that part of it. I'm accustomed to wanting to laugh and cry in the same breath, like the time at Target when he lost me and I was standing in the aisle, big as ya please, and his eyes were so bad he had to call me to have me lead him to me.
I miss my friend, and this summer is about him in a lot of ways, but not exactly how I'd anticipated.